Join the Historical Fictions Research Network Conference 2022
Frontmatter
JHF 3:1, 2020, i—iii
Editorial:‘Historical Fictions’ When the World Changes
JHF 3:1, 2020, 1—5
John Fowles’s ‘Manchester baby’: forms of radicalism in A Maggot
JHF 3:1, 2020, 6—23
Troubling Portrayals: Benjamin Christensen’s Häxan (1922), Documentary Form, and the Question of Histor(iography)
JHF 3:1, 2020, 24—41
Frontmatter
JHF 2:1, 2019, i—iii
‘Strange companies’: The Northman in popular historical fiction
JHF 2:1, 2019, 1—17
Bleedthrough: The Two-Way Traffic between Popular Historiography and Fiction
JHF 2:1, 2019, 18—44
Fantastical History: Dreams in The Roman Mysteries
JHF 2:1, 2019, 45—64
Historical Fiction: Towards A Definition
JHF 2:1, 2019, 65—80
Frontmatter
JHF 2:2, 2019, i—iii
From Elitism to Democratisation: A Half-Century of Hercules in Children’s Literature
JHF 2:2, 2019, 81—101
‘I am the voice of the past that will always be’: the Eurovision Song Contest as historical fiction
JHF 2:2, 2019, 102—125
‘The cage of my moment’: a conversation with Emma Donoghue about history and fiction
JHF 2:2, 2019, 126—80
Frontmatter
JHF 1:1, 2017, i—iii
Victims, heroes, perpetrators: German art reception and its re-construction of National Socialist persecution
JHF 1:1, 2017, 1—24
Curating the past:
Margins and materiality in Sydney Owenson, Lady Morgan’s The Wild Irish Girl
JHF 1:1, 2017, 25—44
Contentious history in “Egyptian” television: The case of Malek Farouq
JHF 1:1, 2017, 45—64
The faces of history. The imagined portraits of the Merovingian kings at the Versailles museum (1837-1842)
JHF 1:1, 2017, 65—88
Masculine crusaders, effeminate Greeks, and the female historian: Relations of power in Sir Walter Scott’s Count Robert of Paris
JHF 1:1, 2017, 89—110
Frontmatter
JHF 1:2, 2017, i—iii
Slavophilism, nostalgia and the curse of Western ideas: Reflections on Russia’s past in Alexander Proshkin’s 2006 adaptation of Doctor Zhivago
JHF 1:2, 2017, 111—129
Making the fiction visible: Even the Rain and cinematic and historiographical discourses about history
JHF 1:2, 2017, 131—147
The efoto-project: Narrative construction of the past and semi-automated data curation
JHF 1:2, 2017, 149—173
Fractured places and subjective spaces – Historical objectivity and individual agency in Robert Altman’s McCabe and Mrs. Miller
JHF 1:2, 2017, 175—192